{"id":709,"date":"2016-10-31T13:30:10","date_gmt":"2016-10-31T13:30:10","guid":{"rendered":"http:\/\/blogs.staffs.ac.uk\/ecw\/?p=709"},"modified":"2017-02-09T17:51:28","modified_gmt":"2017-02-09T17:51:28","slug":"masters-of-art-and-sport","status":"publish","type":"post","link":"https:\/\/blogs.staffs.ac.uk\/ecw\/2016\/10\/31\/masters-of-art-and-sport\/","title":{"rendered":"Masters of Art and Sport"},"content":{"rendered":"<p>\u2018Masters of Art and Sport\u2019, currently showing at the Potteries Museum &amp; Art Gallery, yokes together art and sport as part of Stoke\u2019s European City of Sport 2016, with a nod to UK City of Culture 2021. This conjunction has an august heritage, as the Ancient Greeks, originators of the Olympic Games in honour of Zeus, believed in the capacity of sport to build moral character and celebrated its glories in their plastic and decorative arts.<\/p>\n<p><a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/greek-vase.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-710 aligncenter\" src=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/greek-vase-300x173.jpg\" alt=\"greek-vase\" width=\"300\" height=\"173\" srcset=\"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/greek-vase-300x173.jpg 300w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/greek-vase-500x288.jpg 500w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/greek-vase-100x58.jpg 100w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/greek-vase.jpg 520w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The exhibition features two disparate talents: Philadelphia born Paine Proffitt, who has adopted Stoke (and Port Vale FC) as his spiritual home, and Manchester artist Philippe Aird.<\/p>\n<p>Aird, who was at one point taught by L. S. Lowry, speaks on camera of throwing off the shackles of \u2018figuration\u2019 in favour of a dynamic, performative abstraction \u2013 experiments in colour and texture \u2013 from which elements of the figurative may still emerge.<\/p>\n<p><a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/Masters-of-Art-flyer.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-711 alignleft\" src=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/Masters-of-Art-flyer-212x300.jpg\" alt=\"masters-of-art-flyer\" width=\"212\" height=\"300\" srcset=\"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Masters-of-Art-flyer-212x300.jpg 212w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Masters-of-Art-flyer-71x100.jpg 71w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Masters-of-Art-flyer.jpg 653w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><\/p>\n<p>The central work was created with 2004 Olympic gold medallist, Darren Campell, for Manchester World Sport 08. It symbolises aspiration and success in the colours bronze, silver and gold, and the journey taken by both sportsman and artist in achieving their goals \u2013 in this case the technical challenge presented by Aird\u2019s unusual chosen medium (resin and oils) applied to a dark canvas.<\/p>\n<p style=\"text-align: left\">The exhibition of twenty numbered canvases also functions as a retrospective showcase for Aird, who died last year.<\/p>\n<p><a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/pride-of-boslem.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-712 alignright\" src=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/pride-of-boslem-211x300.jpg\" alt=\"pride-of-boslem\" width=\"211\" height=\"300\" srcset=\"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/pride-of-boslem-211x300.jpg 211w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/pride-of-boslem-70x100.jpg 70w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/pride-of-boslem.jpg 450w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Proffitt\u2019s work, which alludes to cubism and sometimes surrealism, here presents a nostalgic view of the Beautiful Game (though he also has a professional interest in baseball and ice hockey). Trained as an illustrator, Proffitt has recently been in considerable demand by football clubs nationally and is sold locally through the fantastic Barewall Gallery in Burslem.<\/p>\n<p>&nbsp;<\/p>\n<p>These two artists may well divide taste \u2013 as did the Lowry-Berry exhibition last year. However, in this case there exists a link between Proffitt\u2019s figurative nostalgia and Aird\u2019s more challenging abstraction in the form of the short-lived Italian movement, Futurism (not featured in the exhibition). The Futurists celebrated not only the speed and violence of the machine age before WWI, but also human athleticism.<\/p>\n<p><a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/Dynamism-of-soccer-player.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-713 aligncenter\" src=\"https:\/\/blogs.staffs.ac.uk\/ecw\/files\/2016\/10\/Dynamism-of-soccer-player-300x287.jpg\" alt=\"dynamism-of-soccer-player\" width=\"300\" height=\"287\" srcset=\"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Dynamism-of-soccer-player-300x287.jpg 300w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Dynamism-of-soccer-player-768x736.jpg 768w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Dynamism-of-soccer-player-313x300.jpg 313w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Dynamism-of-soccer-player-100x96.jpg 100w, https:\/\/blogs.staffs.ac.uk\/ecw\/wp-content\/blogs.dir\/338\/files\/sites\/338\/2016\/10\/Dynamism-of-soccer-player.jpg 969w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Here Umberto Boccioni\u2019s 1913 work \u2018The Dynamism of a Soccer Player\u2019 (MOMA) illustrates this stylistic bridge. The moving figure in its environment is translated into a collection of planes and geometric shapes &#8211; the cubism alluded to by Proffitt. At the same time, the dynamism, composition and near abstraction of this image, in which elements of the figurative remain discernible, echo Aird\u2019s more organic neuron-like shapes.<\/p>\n<p>Events such as City of Sport\/Culture are required to reach beyond the customary consumer and to leave a legacy. A paying art exhibition does not necessarily do this, though here the organisers have recruited four Ambassadors of Art and Sport to spread the word. What it does do is to lead the viewer from a thoroughly accessible art form to a more intellectually challenging one. One can also discern a grander aspiration to re-establish the more comfortable relation between sport and high culture enjoyed by classical civilisation. Good luck!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Masters of Art and Sport\u2019, currently showing at the Potteries Museum &amp; Art Gallery, yokes together art and sport as part of Stoke\u2019s European City of Sport 2016, with a nod to UK City of Culture 2021. This conjunction has &hellip; <a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/2016\/10\/31\/masters-of-art-and-sport\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":741,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3710],"tags":[],"class_list":["post-709","post","type-post","status-publish","format-standard","hentry","category-events"],"_links":{"self":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/users\/741"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/comments?post=709"}],"version-history":[{"count":18,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/709\/revisions"}],"predecessor-version":[{"id":804,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/709\/revisions\/804"}],"wp:attachment":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/media?parent=709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/categories?post=709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/tags?post=709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}