{"id":98,"date":"2014-10-15T13:14:08","date_gmt":"2014-10-15T13:14:08","guid":{"rendered":"http:\/\/blogs.staffs.ac.uk\/ecw\/?p=98"},"modified":"2014-10-15T13:27:45","modified_gmt":"2014-10-15T13:27:45","slug":"a-good-week-of-english-lit-teaching","status":"publish","type":"post","link":"https:\/\/blogs.staffs.ac.uk\/ecw\/2014\/10\/15\/a-good-week-of-english-lit-teaching\/","title":{"rendered":"A Good Week of English Lit. Teaching"},"content":{"rendered":"<p>I had a good week of teaching (and learning!) \u00a0last week, which meant I (and my students) benefited greatly from student input, with particular highlights of two Seminar Presentations, one in my module Modernist Prose Writing on Conrad&#8217;s <em>Heart of Darkness<\/em>, the other, in the core module level 5 Literature and Modernity, on Poe&#8217;s &#8216;Man of the Crowd&#8217;.<\/p>\n<p>The first two presentations of the season, these were of the highest standard immediately, hopefully setting the gold standard for the rest to follow. Both were delivered in a &#8216;thinking aloud&#8217; manner, either\u00a0 by way of (one person) speaking to Power Point slides (Conrad; mostly highlighted text passages), or to memorising notes (Poe; pair presentation with pre-arranged part allocation). Both presentations cut to the chase of the two texts. On a very high level, the Conrad one dealt with the complexities of the text&#8217;s existentialist message as it cuts across the binary divide, before a backdrop of colonial capitalism, between black\/white, individual\/mass, first world\/third world, primitive\/civilised etc.. It also opened up in an ananlytical way the detail\u00a0in the Modernist techniques of Conrad&#8217;s innovative (1899!) prose style. &#8211; The Poe presentation delivered a fascinating reading of this short tale, by &#8216;presenting&#8217; the seminar with more than one option of meaning, before homing in on a number of central points. The prophetic &#8216;textuality&#8217; (almost post-modern?) of the piece was highlighted. The man of the crowd was identified as a symbolic (Allegory!) incarnation of the\u00a0new socio\/psychological identity model of &#8216;the crowd&#8217;. In the light of this monstrous phenomenon, symptomatic\u00a0of\u00a0the late modern age, writing cannot function any longer according to the tried and trusted models of &#8216;simple&#8217; symbolisation. Symbolic representation (this is Poe&#8217;s point, it seems) needs\u00a0to be designed to incorporate difference. Extended systems of interlinking symbols are needed. The &#8216;Man&#8217; is an anorganic hybrid of contradictory attributes (&#8216;dagger\/diamond&#8217;) belonging to different class categories as they are listed with almost sociological precision in the middle section of the story. The possibility was offered that the &#8216;Man&#8217; could also be read (Poe says, as part of the text\u00a0of the story in German [missing Umlaut over the &#8216;lasst&#8217;], that he &#8216;cannot be read&#8217;; : &#8220;Er lasst sich nicht lesen&#8221;) as the narrator&#8217;s shadowy alter ego. Reconvalescing from a strange fever: opium, most likely, or syphillis as was suggested, he is obsessively following a figment of his own dark imagination which takes him\u00a0 into\u00a0the innermost recesses of his half-crazed mind: the horror of modern crowd identity\/ nightmarish loss of individual identity boundaries etc.: &#8216; a shadow chasing shadows&#8217;, the team said.<\/p>\n<p>Both presentations initiated powerful seminar discussion. In a wonderful way, to me at least, and also to those students, I assume, \u00a0who are taking part in these two of my modules, a bridging link\u00a0became visible between the two texts: the horror\u00a0at &#8216;the heart&#8217; (wrong symbol?!) of them both.<\/p>\n<p>Martin Jesinghausen<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I had a good week of teaching (and learning!) \u00a0last week, which meant I (and my students) benefited greatly from student input, with particular highlights of two Seminar Presentations, one in my module Modernist Prose Writing on Conrad&#8217;s Heart of &hellip; <a href=\"https:\/\/blogs.staffs.ac.uk\/ecw\/2014\/10\/15\/a-good-week-of-english-lit-teaching\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":314,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40446],"tags":[67200,67199],"class_list":["post-98","post","type-post","status-publish","format-standard","hentry","category-student-success-2","tag-english-week-3","tag-excellent-seminar-presentations-on-conrad-and-poe"],"_links":{"self":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/users\/314"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/comments?post=98"}],"version-history":[{"count":9,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/98\/revisions"}],"predecessor-version":[{"id":153,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/posts\/98\/revisions\/153"}],"wp:attachment":[{"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/media?parent=98"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/categories?post=98"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.staffs.ac.uk\/ecw\/wp-json\/wp\/v2\/tags?post=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}