Category Archives: Conferences

Education Through Podcasting Conference 2025 – Announcement of 2025 Dates and Theme

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Education through Podcasting (EPOD) is a collaboration between Keele University Tim Canfer), University of Staffordshire (Carola Boehm) and Morley College (Camilo Salazar and Joanna Duchesne)  and includes an annual conference and a book series focusing  on discussing  and disseminating research and practice of learning/educational contexts using podcasting and recorded audio media.

EPOD welcomes academics, researchers and professionals to be part of our growing network that explores the intersections between podcasting and education. 

Main Website: https://www.epod.org.uk

EPOD’25 Education through Podcasting Conference

EPOD  2025 will be hosted again on 26th and 27th June 2025 by Morley College’s facilities at their Waterloo Campus in Central London, made for an ideal venue. Our theme for 20025 will be: Between Entertainment & Education: balancing media industry expectations within educational contexts.

Key Date and link to more Info:

  • 03/02/2025               Deadline for Conference Abstracts (see call)

Proceedings Publication

The proceedings from the conference will be published by Routledge. More details can be found here.

About:

Themes of the conference include, but are not limited to:

EVENT: Critical Ecologies, Thursday 11th July 2024

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  • Thursday 11th July 2024
  • Catalyst CA2 Creative Lab
  • 10 am – 5pm

Critical Ecologies is an opportunity for academic and non-academic staff to come together and share research in alliance with communities and ecologies.

We have two exciting keynote presentations, and space for 6 presenters from within the University to share their research. In creating this fledgling research hub we are acknowledging the need for an open and respectful space where we can build (and rebuild) an interdisciplinary research culture. We also aim to centre nature recovery and environmental justice within these interdisciplinary conversations.

2022 Communities and Communication Conference: Call for Papers

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The theme for this year is: Diverse Voices.

The deadline for submissions is FRIDAY 17th DECEMBER
2021.

Conference website is at https://filmfreeway.com/Communitesandcommunication

This year we are expanding the range of accepted submissions to artworks, performance, video submission, and other non-conventional forms.

Potential Topics:

  1. Representation
  2. Local vs global
  3. Crossing boundaries 
  4. Accessibility
  5. Platforms for dissemination
  6. Collective voice
  7. Art as activism 
  8. Quiet voices

The need for Diverse Voices’ inclusion into the conversation on communities and communication has never been more urgent. Connecting communities only makes sense when a variety of experiences share the stage in a respectful and engaging way, building a network of support and understanding between disciplines and different forms of expression. Building upon the success of last year’s edition, we are excited to invite participants from around the globe to engage in the discussion, in the hope for a more integrated approach to knowledge generation.

For more information and proposals contact: CommunitiesandCommunication@staffs.ac.uk 

GUIDANCE FOR AUTHORS

The deadline for submissions is FRIDAY 17th DECEMBER 2021.

The proposals should include: Title, up to 5 keywords, abstract (250 words), author name, affiliation and short bio (50 words) + if relevant, sample of the artwork/description/still/video.

All the proposed submissions must respond to the brief and be linked, in one way or another, to the ideas of communities, communication and diverse voices. All the creative work must be copyright free.


All proposals should be emailed to CommunitiesandCommunication@staffs.ac.uk
All Audio Visual submissions: https://filmfreeway.com/Communitesandcommunication

We encourage submissions from Early-Career, PhD students and independent researchers and artists. The conference is organised by the Department of Media and Performance, School of Digital, Technologies and Arts at Staffordshire University and will take place over two days 19-20 May 2022.

DanceCult Conference is back

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DanceCult Conference

Dancecult Research Network (DRN) is an interdisciplinary network of academics, scholars and students researching all aspects of electronic dance music culture (EDMC). The DRN acknowledges that, from proto-disco through what is today labelled “EDM”, from the practice of the DJ to the present ubiquity of dance clubs, the aesthetics, politics and cultures of electronic dance music permeate underground and popular movements.

As an educational and research network, the DRN facilitates information exchange, resource sharing and collaboration among international researchers of the genres, identifications, aesthetics, technologies and other manifestations of EDMC. Researching techniques and locales, scenes and events, ethnicity and gender, production and distribution technologies, digital arts, drugs, sexuality and other subjects, members hail from various disciplines, operate in many different global locations, and employ diverse methodologies.

Programme at https://dancecult-research.net/2021-agenda/

More info and registration at https://dancecult-research.net/conference/

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Catch up up on our C3 Centre Launch?

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Our new C3 Centre is all about new conceptual and critical insights into practices used by individual artists, collectives and creative thinkers who are passionate about engaging, interacting and co-creating with their surrounding communities.

And we discussed theses issues at our official launch, which happened on Friday 18 June 2021. The YouTube video is now available below.

Browse through, skip, speed up or listen during a lunch time break. We also had fun at our virtual pub, which sadly is not part of the YouTube experience.

Included in the video is our introductory panel discussion where you can get to know (some of) us; and our concluding panel debate about why we think research in the arts is so important for our regions. 

As part of the event we had various showcases of our work, which was not recorded as part of the video, but some of the work can be viewed on our website at http://blogs.staffs.ac.uk/c3centre/ .

We welcome you to become part of our collective narratives, exploring with us some of the questions that we have been asking in our research projects.

Contact of our staff at http://blogs.staffs.ac.uk/c3centre/contacts/

NoiseFloor 2021 Call for Works

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We are delighted to announce that NoiseFloor will be returning to the Music and Sound department at Staffordshire University on 11th – 12th May 2021. Our theme for 2021 will be Collaboration.

EXTENDED DEADLINE FOR SUBMISSIONS – SUBMIT PROPOSALS BY FRIDAY FEBRUARY 26TH

For details, see our dedicated NoiseFloor website at https://noisefloor.org.uk/

NoiseFloor 2019

Conference: Philosophy & Serres

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The annual conference of The Society for European Philosophy and the Forum for European Philosophy (SEP-FEP 2020 Conference) will be happening on 30­–31 October and 6­–7 November 2020 – The programme is divided over successive Friday afternoons and full Saturdays. The wbsite is at https://sep-fep.com/

The SEP-FEP conference is the largest annual event in Europe, aiming to bring together researchers, teachers and students from different disciplines, interested in all areas of contemporary European philosophy. This year, to mark the passing of Michel Serres last June, the conference will feature a strand of presentations devoted to his work.

As part of this strand, Staffordshire Univeristy Professor David Webb interviews Christopher Watkin on Michel Serres.

 

Conference: Communities and Communication

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Staffordshire University’s new Department of Media and Performance (formerly Film, Media & Journalism, Humanities and Performing Arts)  is organising an international and interdisciplinary conference around the themes of Connections. It will take place online on 24th April 2021.

More information about the conference is at its own website.

This conference seeks to consider the ways in which creative digital communities start, develop and grow, what is created within those groups and how real connections are built through technology sharing and eventually within the virtual environment of online discussion and dissemination. We welcome contributions from across the sector from traditional print media forms to film and television, and gaming and interactive technology, offering the opportunity to explore both applied and theoretical explorations of this area of communities within the digital world. We aim to publish a selection of these contributions in an edited collection developed as a result of the conference. 

​Topics of interest:

  • ​Real-world versus digital communities 
  • Audio-visual communication practices
  • Interdisciplinary community-connections
  • What is the future of communities?
  • Visibility and identity in communities
  • Local vs global communities
  • Sports, digital media and communities
  • Healthcare and community
  • Community inclusion and exclusion
  • Performance

Deadline for submissions is 18th December 2020. For more details on how to submit please see the Call for Papers.

For any enquiries, please contact: Agata.Lulkowska@staffs.ac.uk

NoiseFloor 2019 Call for Works and Proposals

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We are pleased to announce that NoiseFloor will once again be hosted by the Music and Sound department in our Cadman Studio Complex at Staffordshire University, Stoke-on-Trent, UK.

  • Dates: May 7th and 8th 2019
  • Deadline for abstract submission: 18th January 2019
  • Deadline for Registration: 15th March 2019

NoiseFloor is an interdisciplinary event with a focus on experimental composition. This year we are pleased to announce our KEYNOTE PRESENTATION from SIMON EMMERSON, professor in Music, Technology and Innovation at De Montfort University, Leicester.

Our theme this year is Engagement.

“Who cares if you listen” is the title of an article from 1958, famously misattributed to the American composer Milton Babbitt. (Babbitt wrote the article, but the title was imposed by an editor).

60 years after Babbitt’s article, experimental or contemporary music is still often perceived as being “difficult”, “irrelevant”, or “out of touch”. To what extent are these conceptions and stereotypes merited? Should we as practitioners make more effort to engage with wider communities? Can this be achieved without diluting our work? Or is there an argument that our work should be governed by purely academic or aesthetic concerns? More generally, how can “challenging” art works or academic outputs reach wider audiences while still retaining their integrity? To what extent should our work engage with our social and environmental surroundings?

Works (compositions and performances) and proposals (for papers, lectures/recitals, panel discussions, workshops and other ideas) addressing this theme are particularly welcome. Of course, proposals for other relevant topics will also be considered. Submissions are invited from composers, academics, practitioners, individual researchers, postgraduates and any other interested parties.

Submissions should fall into one of the following categories:

  • 20-minute paper presentation (with 5 minutes for questions)
  • Fixed acousmatic works (up to 8 channel)
  • Acoustic instruments and electronics
  • Popular music and interactive systems (2 channel audio with video)
  • Fixed audio visual music (2 channel audio with video)
  • Workshop
  • Panel discussion

Please submit details of your composition, performance or proposal in the form of an abstract of between 250-300 words, together with brief biography (150 words), programme notes, and, where relevant, any links to audio/video examples of your work to our online submission form at:

http://staffordshire.eu.qualtrics.com/jfe/form/SV_57Tlg8B2e90P6At

Registration: The fees are £60 for presenters and for attendees, £35 for students. Concessions will be available for students of Staffordshire University. There is no submission fee.

Please note that you will need to provide your own performers and instruments and that contributors will be required to attend the event. More information is available at http://noisefloor.org.uk/ or by contacting a member of the organizing committee: