Topic: In touch – Delivering creative workshops online
When: 10:30 – 12:25, April 16th, 2021
Where: Zoom (link to follow registration, registration see at end of post)
What is the session about?
When we can’t physically host people in our studios or creative spaces how can we practically and meaningfully move workshops and engagement online?
This Factory session is led by BCB Associate artist Sarah Fraser, Artist and International Programme Manager for the International Ceramics Studio Kecskemét, Hungary Steve Mattison and Artist and creative business owner, writer, educator and marketing guru Mel Bose also known as The Terrain Tutor
This session will cover:
The difference between delivering in-person and online workshops – how to change delivery styles to suit online workshops.
Budget friendly and easy to use equipment and platforms for delivering online workshops.
Tips and tricks for delivering a tactile workshop online
How to engage with workshop participants or community groups online.
A new documentary series, made by Staffordshire University students, takes a deep dive into the global plastic pollution crisis
The six-part online series Plastic Pandemic was created by Isaac Robinson and Jonathan Eley while completing a Master’s degree in Film Documentary. It demonstrates how documentary film making can really help to bring science research alive and communicate the importance of the increasing threats to the planet, people and animals.
Fiona Graham, Associate Professor of Film Technology and Masters supervisor to Jon and Isaac, said the students spent many months developing their film project researching into Plastics Pollution and had pitched the idea to be a long form film. With the Covid pandemic and lockdown a year ago, this changed.
Jon and Isaac wanted to create a film about plastics pollution and to talk to people about the growing problem for the planet. Documentary form has the power to investigate, probe and tell stories that need to be heard and they were passionate to still do this despite the pandemic affecting film production. Staffordshire University’s Professor Claire Gwinnet was one of many contributors internationally to support their film.
The film students wanted to explore new methods and processes in documentary film online, as they were emerging from industry and we developed ideas working through the problems and solving the technical and creative issues that arose.”
They created an international research project for their Masters that had international contributors who may never have come forward before the pandemic.”
The annual conference of The Society for European Philosophy and the Forum for European Philosophy (SEP-FEP 2020 Conference) will be happening on 30–31 October and 6–7 November 2020 – The programme is divided over successive Friday afternoons and full Saturdays. The wbsite is at https://sep-fep.com/
The SEP-FEP conference is the largest annual event in Europe, aiming to bring together researchers, teachers and students from different disciplines, interested in all areas of contemporary European philosophy. This year, to mark the passing of Michel Serres last June, the conference will feature a strand of presentations devoted to his work.
As part of this strand, Staffordshire Univeristy Professor David Webb interviews Christopher Watkin on Michel Serres.
Where: Zoom, once you register a Zoom link will be shared with you by email
About this Event
What is this session about?
In this session, we will hear from experienced Designer Reiko Kaneko and Studio Ceramics specialist Jason Wood of Adam Partridge Auctioneers, Macclesfield, about planning, pricing, and how to sell to retail and through auction.
Reiko Kaneko will speak from her years of experience as a designer and selling to retail, she will give you insight into the elements she has found to be important. She will share more about planning and how to sell to retail, pricing structures and all of the relevant paperwork and details you can think about and plan for before making the leap.
Expert Jason Wood demystifies selling at auctions for creatives including what is it, how it works, what to consider when pricing for auction and the opportunities it presents for creatives when selling their work.
Who is this for?
People who want to know more about how they can sell to retail and/or auction houses and how it all works. People who are already selling through retail and/or auction houses and are seeking some advice. Students or people who are early in their career and want to start thinking about how they can set their creative business up for success and get a head start on the things they need to consider for pricing and selling.
Reiko Kaneko – Ceramicist, Designer and Educator
Reiko Kaneko is a ceramicist, designer and educator based in London. She works at various scales in a range of typologies, designing both products for manufacture and bespoke pieces for commissioned projects. The focus of her working practice is on mastery of material and form. After graduating from Central Saint Martins School of Art and Design, she founded a creative studio in London in 2007. Initially building up a client base for her small-batch production ceramic designs, she began to take on bespoke commissions from 2009 onwards, creating tableware, glassware and teaware for prestigious restaurants and galleries.
In 2012, with the expansion of both knowledge and business scale in mind, she took the step to move to Stoke-on-Trent, the traditional home of industrial-scale pottery manufacturing in Britain. The possibility of controlling all aspects of her studio’s output, from how everything was made to finessing all parts of the supply chain had great appeal. Reiko immersed herself in the fabric of what industry remained in the city; able to experiment and work in an environment rich with knowledge and understanding.
In 2017 she returned to London to build a garden studio and to work within the creative energy of the city again. She has continued to run the Stoke-on-Trent studio at a smaller scale and in 2018 began teaching part-time on the MA Ceramics course at Staffordshire University. Reiko is a passionate advocate of both creativity in education and industry. Her focus has been on developing the skills needed to be a thoughtful and productive creative practitioner. Her approach is open, her knowledge is just beginning and like many of her generations, she feels it is time to affect change.
Jason Wood – Archaeologist, ceramics collector and Specialist Consultant in Studio Ceramics for Adam Partridge Auctioneers.
Jason has enjoyed a successful career in archaeology and heritage, becoming Chairman of the National Trust of Archaeology Panel and a member of various other heritage institutes including the Society of Antiquaries. He joined Adam Partridge Auctioneers & Valuers in 2014 to follow his long-time passion for 20th-century handmade ceramics, at which point he made the transition from digging them up from the earth to discovering them in the houses of private clients and has since curated over ten specialist Studio Ceramics & Modern Design sales, including the hugely successful Alan & Pat Firth Collection in 2015 and the Leonard & Alison Shurz Collection in 2020. When he is not striving to put together his sales, Jason still works in the heritage sector and has catalogued the National Trust collection of Studio Ceramics.
This event is supported by Factory – Staffordshire’s business support programme for the creative sector – but is free for any UK artists, arts organisation and recovery services.
This interactive workshop is for artists, arts organisations and recovery services who are interested in the benefits and practicalities of collaboration. It is also relevant for commissioners and funders who are keen to promote cross-sector partnerships.
After an introduction to ReCast – a project combining creativity, addiction recovery and clay – participants will take part in parallel break out sessions.
Vicky Lomas, Service Manager at Stoke Recovery Service, will facilitate a discussion about her role integrating the project in the Service; planning and co-facilitating sessions; and supporting clients to make connections between creative skills and their own recovery.
Joanne Ayre, Resident Artist with the British Ceramics Biennial, will discuss approaches to sharing creative practice with others and useful skills for working in health settings.
Coming back together, a group discussion will focus on playing to our strengths – what do artists, arts organisations and recovery services bring to a creative recovery project? How can we develop successful partnerships?
“Working alongside health professionals has allowed me to see the benefits of working with clay reflected back from another perspective. It has added another layer of confidence in the assertion, I frequently make, that working with clay can be good for you.” Joanne Ayre
“the opportunity to develop a project to enable the client to be creative and also develop a deeper understanding and skill for their own recovery has made an outstanding impact on their overall wellbeing.” Vicky Lomas
“I’ve got lost in my work today. Really enjoyed taking my cast out of my mould and learning to be very delicate carving the lines off.”
Staffordshire University’s new Department of Media and Performance (formerly Film, Media & Journalism, Humanities and Performing Arts) is organising an international and interdisciplinary conference around the themes of Connections. It will take place online on 24th April 2021.
This conference seeks to consider the ways in which creative digital communities start, develop and grow, what is created within those groups and how real connections are built through technology sharing and eventually within the virtual environment of online discussion and dissemination. We welcome contributions from across the sector from traditional print media forms to film and television, and gaming and interactive technology, offering the opportunity to explore both applied and theoretical explorations of this area of communities within the digital world. We aim to publish a selection of these contributions in an edited collection developed as a result of the conference.
Topics of interest:
Real-world versus digital communities
Audio-visual communication practices
What is the future of communities?
Visibility and identity in communities
Local vs global communities
Sports, digital media and communities
Healthcare and community
Community inclusion and exclusion
Deadline for submissions is 18th December 2020. For more details on how to submit please see the Call for Papers.
Running naked is a feature film made in collaboration between private equity and Staffordshire University’s film production courses. The film has already screened at Beijing and Portland International Film festivals and is due for release in February 2021.
Running Naked is the story of two lifelong friends, pushed together through cancer. The story explores a period their life as one discovers the cancer has returned and their adventures as his illness unfolds.
The film was made in a unique way. The funding for the film came from private equity. This was combined with in-kind use of equipment, space, locations and crew from the University.
We, Andy Paton and Mike Knowles successfully combined a crew of industry professionals who mentored Staffordshire University students. The Crew included, Oscar nominated and Emmy winning director Victor Buhler. He directed Running Naked and Mike and Andy produced the film. The film’s score was composed by Craig Potter from Elbow
The film was all shot in and around the University in Stoke, utilising some of the buildings as locations and a production office, as well as many local businesses.
The cast start Andrew Gower(Carnival Row and Black Mirror) Tamzin Merchant(Carnival Row, Salem and Pride and Prejudice) Matthew Mcnulty (The Terror, Jamaica Inn and Deadwater Fell)
The project is an amazing example of how the University and private equity can be brought together to create a film that already has a distribution deal and international sales with an international release date in February 2021.
Watch this space for announcement of first screenings!
What is the next session about? The Factory social relaunches October 9th focusing on creative studios and shared spaces. This session hopes to share the knowledge and perspective you need to figure out what kind of space might work for you, what you need as a creative and where you might be able to find it in Stoke-on-Trent. This conversation will be lead by Artist and Studio Manager Jo Ayre, British Ceramics Biennial (BCB) & Artist and Relationship Manager Dan Southward, ACAVA.
Who is this for? This session is for:
People who are considering taking the leap from home studio to a studio space but don’t know what form of studio might work for them or what other opportunities might come from it.
Students who want to think about how they can continue practice after school, college or university or want to connect with a community during their studies.
Creatives who are interested in connecting with other creatives and want to learn more about the different ways that can happen
Who’s delivering? Artist and ACAVA Relationship Manager Dan Southward. Dan will share a wealth of knowledge and experience as an artist working from formal and informal studio spaces, in various buildings and locations. Dan will also share more with us about ACAVA Studios, who they are, what they do and what opportunities they offer creatives.
Artist, BCB Studio Manager and Resident artist Jo Ayre initiated the BCB shared studio since joining the team in 2015. Since then the studio has grown to accommodating community groups, offering workshops and open studio days where a wonderful community of makers and artists (The Clay Comrades) make and laugh together. Jo will speak about shared studio spaces, the opportunities offered by the BCB Studio and how you can get involved if you’d like.
On 21 September 2020 Carola Boehm (Professor of Arts and Higher Education, Staffordshire University) delivered a 15 minutes introductory session on Culture 3.0 concepts, and how they relate to the challenges of making arts and culture more accessible and more diverse.
It provides a good introduction to Luigi Sacco’s Culture 3.0 concepts, and Carola’s own application of these concepts to the UK creative industry contexts.
The homicide of George Floyd in America, the Black Lives Matter and #MeToo campaigns have increased both the urgency and the profile of tackling discrimination, exclusionary practices, and institutionalised racism and thus provide a momentum that allows us all to push harder towards achieving a more inclusive society with fair and equal access to our arts and culture sectors.. In this talk, I will not only explore the details of existing inequalities but put forward solutions for shaping arts and culture towards becoming more diverse.
My own area is music technology, in general dominated by
individuals who identify as being male. The whole cultural music sector,
including classical music, has only 32% female artists. Museums on the other
hand have 57%. Dance is an artistic practice that has the highest diversity
with 18% BME workforce, compared to Museum having the lowest with 6%. Theatre
and Visual Arts have the highest of LGBT artists with 9% with Museums only
having 3%. This can also be sliced geographically, with London having the
highest diversity (15% BME), the Southwest having the lowest (6%), Midlands
having the highest workforce (53%) identifying as female and London the lowest (42%)
As individual creative professionals we often tend to think
that the arts are ‘colour-blind’, but increasingly we have to accept that our
cultural organisations, our creative funding models and our markers of quality
provide barriers of access that are unevenly distributed in society. In this
talk, I will present some initiatives and projects that Staffordshire
University is carrying out in this area, all aimed to support Equality,
Diversity and Inclusion challenges within our arts and cultural sectors. Terms
I will use in this talk are co-production, cultural democracy, co-ownership and
“Culture 1.0 to 3.0 ecosystems” (Boehm, 2016, 2017).
Boehm, C. (2016). Academia in Culture 3.0: A Crime
Story of Death and Birth (but also of Curation, Innovation and Sector
Mash-ups). REPERTARIO: Teatro & Danca. 19 (2). p.pp. 37–48.
Boehm, C. (2017). The end of a Golden Era of British
Music? Exploration of educational gaps in the current UK creative industry
strategy. In: R. Hepworth-Sawyer, J. Hodgson, J. Paterson, & R. Toulson
(eds.). Innovation In Music: performance, production, technology and
business. Taylor & Francis/Routledge.