Category Archives: Creative and Cultural Policy

C3’s Professor Carola Boehm joins the Department of Culture, Media and Sport (DCMS) College of Experts

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Carola Boehm, Professor of Arts and Higher Education from the C3 Centre for Creative Industries and Creative Communities at the University of Staffordshire, has been recruited to the Department of Culture, Media and Sport (DCMS) College of Experts. She will be joining 58 external experts from across academia and industry, forming a diverse and experienced community of experts. The DCMS College of Experts members have been called upon to provide external expertise and apply innovative scientific methods to support government policy.

Her expertise will contribute to helping DCMS tackle complex challenges across their policy areas with research insights.

Professor Carola Boehm said:

“I am delighted to be collaborating with fellow college members and DCMS colleagues and look forward to supporting evidence-based policymaking, driving forward impactful solutions for our creative and cultural sectors.”

Chief Scientific Adviser, Professor Tom Crick said:

“We are delighted to welcome our new members of DCMS College of Experts. Since 2021, the College of Experts has made a significant impact on our department, ensuring that our policy design, development and implementation is grounded in the most rigorous and robust research and evidence available. Your engagement will help us continue to tackle the complex and interdisciplinary challenges across our policy areas with confidence and insight. We look forward to engaging with you and building on the meaningful collaboration that has shaped and informed impactful decision-making.”

 The College of Experts has expertise across the DCMS portfolio. The College supplements any existing relationships that teams have established with experts and offers a diverse breadth of scientific and technical knowledge that colleagues can draw upon dynamically. This allows the department to benefit from longer-term, systematic working relationships and addresses the increasing need for on-demand expert advice to underpin policy work.

Professor Carola Boehm’s research focusses on creative and cultural industries and has already been featured in the UPEN Study on how Arts and Humanities research influence public policy making (https://upen.ac.uk/resources/how-does-arts-and-humanities-research-influence-public-policymaking/). Her work underpins various strategic initiatives, from Cultural Leadership Programmes, such as Create Place Programme (https://blogs.staffs.ac.uk/createplace/), or supports the work of Cultural Compacts, such as Stoke Creates, where she is currently the chair (https://stokecreates.org.uk/). She has recently published a book in Emerald’s book series, Great Debates in Higher Education, titled Arts and Academia: The Role of the Arts in Civic Universities.

Her public output can be accessed or requested from EPRINTS/STORE BOEHM

The Universit press release can be read at https://www.staffs.ac.uk/news/2025/06/staffordshire-professor-joins-the-department-of-culture-media-and-sport-dcms-college-of-experts

C3’s Prof Carola Boehm joins the Birmingham and West Midlands Conference Ambassador Network

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As Professor of Creative and Cultural Industries, Chair of Stoke Creates Cultural Compact, and as part of the leadership team of the C3 Centre: Creative Industries and Creative Communities at the University of Staffordshire, Prof Carola Boehm has been inmvited to join the Birmingham and the West Midlands Conference Ambassador Network.

She said: “As an academic and a cultural leader of our region, we regularly bring audiences, visitors and delegates to our city-region. Visitors contribute so much when joining us in our cultural and academic events that make our creative place what it is, the quintessential creative city with a deep and long history of producing creative products, services and creativity-underpinned knowledge & innovation. From medium-scale academic conferences to large-scale international festivals, from music concerts to boutique cultural gems, as a place with two universities and a multitude of vibrant creative and cultural organisations, we want to share our city with visitors.”

https://www.meetbirmingham.com/can/ambassadors

The West MIdlands Growth Company, under Chief Executive Neil Rami, set up the network to help reinforce the international reputation for excellence in academic research and contribute to our ongoing economic growth in the region.

“The Birmingham and the West Midlands Conference Ambassador Network has been created as a platform for the region’s greatest minds and leaders to work together in pursuit of a common goal – to contribute to our ongoing economic growth and reinforce our international reputation for excellence in academic research and business.”

“Ambassadors are influential in their field and play a key and active role in attracting their association conferences or connecting us with other people in the region who might be interested in working with us.”

The Birmingham & West Midlands Convention Bureau’s purpose is to promote the West Midlands and the wider region as a leading destination for events. The Bureau offers  support for large-scale event bids, and help win and deliver events, assisting also with accommodation booking for delegates and marketing support.

More information from: https://www.meetbirmingham.com/can

Launch of a new Creative Industries Lecture Series

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  • When: 5th March 2025
  • Where: G027 Cadman Building / Cadman Yard, University of Staffordshire
  • Registration: Sign up for free through Eventbrite linke below

https://www.eventbrite.co.uk/e/staffs-creative-industries-lecture-series-tickets-1222599059699

Led by C3 Member Dr. Mark McKenna, the inaugural lecture in the newly established Creative Industries Lecture Series will be at 3pm on March 5th in G027 Cadman Building / Cadman Yard. Britain’s creative industries are world leading and they are the engine of our economic growth. In stark financial terms, in 2021 they generated £108bn in economic value and employed 2.3 million people. They are valuable and vital, but the importance of the creative industries goes well beyond the economy. Art, design, and entertainment enrich our lives and contribute to cultural identity and societal well-being. The works that these industries produce are the lens through which we understand the world.

This series of lectures will feature emerging and established speakers sharing their insights and experiences of the creative industries and, whether you’re a student, professional, or simply ‘creative industries curious’, the series is perfect for anyone looking to be inspired and to learn something new.

Mark has a forthcoming book with Routledge – Levelling Up the Screen Industries: Film and Television Production as Regenerative Strategy in Places Left Behind (2025), which grew out of a piece of work for Stoke-on-Trent City Council on the viability of a Film Office in the region and offers an assessment of the contribution that similar regions can make to the screen economy. The book considers the impact that various industrial and governmental devolution strategies have had or are having and explores the potentially transformative effect that this could have on the UKs screen economy.

 

 

4 July Snap Elections – What our C3 members think

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“Welcome to Stoke-on-Trent”, Student Projects 2017 (*)

Last week, Rishi Sunak called for a General Election to be held on Thursday 4 July 2024, saying it was “the moment for Britain to choose its future”. Our C3 members have their on thoughts on what this future ought to look like, and what they see to hope in various party manifestos. Here are some:

Carola Boehm, Professor of Creative Industries and Creative Communities at Staffordshire University:

“As Prime Minister Rishi Sunak announced the UK general elections, all I could think about was: Could this be the return to “Cool Brittania”? I arrived in the UK at the beginning of 1997, and thus, I experienced the rush of immense hope and giddiness that caught the country as  Labour swept into power after a decade of austerity. This giddiness had at its core an appreciation of British creative outputs, both in terms of the biggest Creative Industries of music and film, as well as the art scene of designers. It was the time when the likes of Noel Gallagher were invited to No 10, where there was a real and explicit effort to turn the UK into a cultural powerhouse, as the Blair government recognised the cultural moment that could help the whole country get back to its feet. These were the years of Danny Boyle’s Trainspotting, Ginger Spice wearing the Union Jack at the Brit Awards, Austin Powers, and Vanity Fair covers of “London Swings Again”, Blur, Pulp and Notting Hill.

Since then, we have had various Creative Industry strategies and policies, which I would suggest are, at worst, uninformed and, at best, lack aspirations. So when this election was called, my mind snapped immediately to the question of whether any incoming government is aware of how much the creative sectors contribute to our daily lives in the UK. Will it be at the forefront of their thinking, that it was our UK Creative Industries that tended to grow faster than any other sector in the UK;  that pre covid, 12% of our total exports of services were from the Creative Industries, and that boosting the Creative Industries was the fastest economic leveller than any other policy implemented, with, for example, West Midlands Creative Industries jobs growing by 38.9%, whereas all jobs only grew in that region only by 10% (Figures DCMS 2011-2017).   So my hope for any incoming government is that they understand the power of the Cultural and Creative Industries and invest in the country by putting policies in place that allow us all, up and down the country, to re-imagine and experience another era of Cool Britannia. In the words of Austin Powers, we have lost our mojo, so wouldn’t it be groovy to get it back?”

Anna Francis, Associate Professor of Fine Art and Social Practice:

“After 14 Years under the current administration it is certainly true to say that I will be looking carefully at the messages of all parties concerning arts and culture and particularly arts education, and who has access to it. The latest report by the Creative Industries Policy and Evidence Centre (May 2024) set out the important role the creative and cultural industries play in health and well-being, community development, and education, but also set out the worrying statistics in terms of the underrepresentation of people from working class backgrounds in employment within every area of arts and culture.

The stripping of the arts from school curriculums, and the significant undermining of the role of arts and culture in our society that we have seen in recent years is certainly having an impact on who feels able to take up a career in the arts.

Keir Starmer’s speech at the Labour Creatives Conference, in March 2024 directly addressed these issues and I think we should all be observing with interest how this may be acknowledged within Party Manifestos ahead of the election.”

Sarah Page, Associate Professor in Social Justice and Social Learning:

“With austerity cuts and the cost-of-living crisis significantly impacting people and particularly the most vulnerable, inequalities have seemingly widened. For example, more people have needed to use foodbanks, while others have seemingly misused their privileged positions with illicit covid lockdown parties and visits to second homes when travel was not permitted. Such injustices have led the public to question the authenticity of some policy makers, who have one rule for the public and another for themselves. I wonder whether now is the time for leadership that better understands and address the inequalities gaps in Britain, and is prepared to challenge price extortions that we have been experiencing?”

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(*) If you were the artist that designed above posters, we would love to add credits to the image. Contact us on c3centre@staffs.ac.uk