iC-ACCESS – Accessing Campscapes

iC-ACCESS graphic

Between 2016-2019, the Centre of Archaeology joined an international team of experts as part of a major  project that examined the history and legacies of twentieth century internment camps. Funded by the HERA Uses of Past programme, ‘Accessing Campscapes: Inclusive Strategies for Using European Conflicted Heritage’ (iC-ACCESS) considered traces of the 20th century mass violence and terror, as tangible reminders of the “age of extremes”.

In most post-war European countries former Nazi internment camps have become icons of antifascist resistance and the Holocaust, and they have played a consistent role in postwar European memory of totalitarianism and genocide. In the Eastern European centre of the Holocaust and Communist terror, many former ‘terrorscapes’ are still contested spaces where consecutive internments of prisoners by occupying powers and authoritarian regimes transformed the victims of one event into the persecutors of another. This entanglement of remembering with forgetting and the silencing of competing narratives (commonplace in relation to completely unknown forms of historical injustice) show the strong connection between heritage, storytelling and the politics of identity. This poses a serious challenge to museums, remembrance institutions, civil society organizations, social activists, critical academics and educators tasked with the development of new and alternative narratives to make such spaces ever more relevant.


Photo credit: Centre of Archaeology

iC-ACCESS therefore examined what has become, in the European context, a dominant set of issues: the dynamics affecting the staging and presentation of some Holocaust camps into heritage, and the forgetting of others; the acknowledgement and presentation of Soviet campscapes in Eastern Europe; conflicted Holocausts, and simmering older ethnic/regional tensions exacerbated by the present EU crisis affecting the identity and future of the European integration project. Therefore, iC-ACCESS addresses the future role of the camps as monuments of the 20th ‘century of camps’ in the dynamic context of the European process of integration and the current age of (financial, geopolitical and refugee) crisis.

The project was a collaboration between University of Amsterdam, NTNU Norwegian University of Science and Technology Trondheim, Staffordshire University, University of West Bohemia Pilsen, Freie Universität Berlin and Universitat Pompeu Fabra Barcelona. Starting from the issue of materiality, the project related forensic research, archaeological practices and historical truth-finding to memory works, narratives and museum display. Innovative pilots used state-of-the-art, hybridised archaeological techniques (digital and non-invasive) in order to identify and visualize hidden material remains within the selected campscapes and at the same time ‘produce’ new meanings regarding unknown or hardly known sites and objects. Over the three years of the project, the team implemented a unique interdisciplinary methodology that drew upon narrative analysis, archaeological investigation, oral history research and digital technologies.

Photo credit: Centre of Archaeology

Photo credit: Centre of Archaeology

The project evaluated key campscapes across Europe: Westerbork (The Netherlands), Treblinka (Poland), Falstad (Norway), Jasenovac/Donja Gradina (Croatia/Republika Srpska), Bergen-Belsen (Germany), the former Roma camps Lety and Hodonin (Czech Republic), and the former uranium Gulag Labor camps in the Jáchymov region (Czech Republic). The project benefited from the support of ten associate partners relevant for the  sites: the Bergen Belsen Memorial, the Lidice Memorial, Postbellum, The Westerbork Memorial Center, Museum of Struggle and Martyrdom in Treblinka, Falstad Memoria and Human Rights Museum,Jasenovac Memorial Museum, Vojna Memorial Lesetice and the Vienna Wiesenthal Institute for Holocaust Studies.

Animation of the site of Stara Gradiska concentration camp, created by the Centre of Archaeology and Flythru in 2017 (c) Centre of Archaeology, ScanLAB and FlyThru.

Animation of the site of Falstad camp, created by the Centre of Archaeology and Flythru in 2017 (c) Centre of Archaeology, ScanLAB and FlyThru.

Project Publications

Sturdy Colls, C. and Colls, K. (2020). The Heart of Terror: A Forensic and Archaeological Assessment of the Old Gas Chambers at Treblinka. In: Vareka, P. and Symonds, J. Archaeologies of Totalitarianism, Authoritarianism, and Repression: Dark Modernities. Basingstoke: Palgrave Macmillan, p.83-105. View details here or pre-print draft

Sturdy Colls, C. and Mitchell, W. (2021). “An Example of Nazi Kultur”: Paradigmatic and Contested Materiality at Bergen-Belsen Concentration Camp. In: Saunders, N. and Cornish, P. Conflict Landscapes: Materiality and Meaning in Contested Places. London, Routledge, ch.15.

Sturdy Colls, C. and Ehrenreich, R. (2021). Value in Context: Material Culture and Treblinka. Current Anthropology 62(5): https://doi.org/10.1086/716741

Sturdy Colls, C. (2018). Holocaust Victims, Jewish Law and the Ethics of Archaeological Investigations. Accessing Campscapes: Inclusive Strategies for Using European Conflicted Heritage 3: 32-41. Open Access

Abate, D. and Sturdy Colls, C. (2018). A Multi-Level and Multi-Sensor  Documentation Approach of the Treblinka Extermination and Labour Camps. Journal of Cultural Heritage 34: 129-135. Download a free copy

Sturdy Colls, C. and Branthwaite, M. 2017. ‘This is proof”? Forensic evidence and ambiguous material culture at Treblinka extermination camp’. International Journal of Historical Archaeology 22: 430-453. DOI 10.1007/s10761-017-0432-3View article

Learn more about the Accessing Campscapes (iC-ACCESS project)

Visit the project website here 

Download iC-ACCESS Poster