Students on the Victorian literature module visited the Gladstone Pottery Museum in Longton to learn about Dickensian working conditions and the pottery industry of Arnold Bennett’s Anna of the Five Towns. A guided tour from one of the museum’s experts helped contextualise child labour, working conditions, labour organisation and how pottery workers were paid, along with many other things. This picture shows students outside one of the distinctive bottle ovens which feature across Stoke’s cityscape.
Northern Broadside’s Much Ado About Nothing, which we saw last week as part of the Shakespeare module, transplants the action to WW2 England. Beatrice becomes a land girl, in wellies and sensible tweed, while Benedick is in the uniform of the RAF. Robin Simpson and Isobel Middleton in these roles absolutely steal the show, but they are wonderfully supported by a cast which brings the play to life. Alongside the verbal jousting between the will-they-won’t they central characters which characterises Shakepeare’s romantic comedies, there are delightful interludes of big band jazz, barber shop quartets, dancing and camp comedy.
The Guardian, in a 4 star (out of 5) review, describes how the company make ‘dynamic use of the in-the-round space and, for all the Dad’s Army daftness, venture boldly into the play’s darker corners of treachery and deceit’.